Prologue: 'God is dead' is a diagnosis
The saint has not yet heard; the question is not whether, but who legislates next.
延伸阅读
The form of a diagnosis
The book's most famous sentence is never a proposition awaiting proof. It arrives like this: a man comes down from the mountain, meets a saint in the forest, walks away and says to himself that the old man has not yet heard. Carrying that scene is the death of God. What it does in the book is swap the question: it does not ask whether the underwriter is there, it says that whatever rested on him is now unsupported. That swap decides that the remaining six chapters are all about what follows, never about whether he exists.
Two directions after the lapse
The prologue writes the two ways out as two figures: one is the thing that is to be created and stands higher than man, the other is the last man. What the pair does in the argument is turn a diagnosis into a choice: after the lapse, either legislate for yourself, or lower the standard until everyone can meet it. The book describes the second road as comfortable rather than as degradation, and that is the part most often missed.
The shape of the prologue's step
What is being reconstructed is the thought behind the prologue. The original supplies no argument, only images; the structure below is added by this course, with what it depends on marked line by line.
Cracks in this reading
The 'diagnosis, not verdict' reading as a testable specification
The reading under test: the prologue describes the death of God as something that has happened and gives no argument for it.