Framing, mental accounting and the two selves
From judgement to evaluation: who is scoring the episode.
延伸阅读
Separate accounts
The same money labelled 'bonus' rather than 'salary' gets spent quite differently; lose a ticket to a show and most people will not buy another, lose the same amount in cash and they buy anyway. Thaler named this mental accounting. Its place in the argument is as chapter 5's reference point generalised: each account is its own baseline, and money is not fully fungible across them.
Peak-end bookkeeping
After an episode ends, what is retained is not the sum of moment-by-moment feeling but mainly the most intense moment and the final one. This is the peak-end rule. Its implication is hard: lengthening an unpleasant episode while softening the ending improves the retrospective rating, even though more momentary discomfort was experienced. The derivation and the test below are both built on that implication.
From peak-end bookkeeping to 'a longer pain is rated milder'
What is being derived is the least intuitive and most testable prediction of this mechanism.
Cracks in this framework
Peak-end bookkeeping as a preregistrable test
The mechanism under test: an episode, through entering memory only as its peak and its ending, has its overall rating decoupled from its duration.